The concepts of “new Nollywood” and “old Nollywood” are often used to describe different eras or generations of the Nigerian film industry. While some people find these terms useful for discussing the evolution of Nollywood, it is important to note that they can be limiting and create unnecessary divisions within the industry. Here are a few reasons why it may not be productive to categorize Nollywood in this way:
- Continuity and Evolution: Nollywood has undergone significant growth and transformation over the years. Instead of creating a clear distinction between old and new, it is more accurate to view Nollywood as an evolving industry. This perspective acknowledges the continuity of filmmaking in Nigeria while recognizing the changes and advancements that have taken place.
- Artistic Diversity: Nollywood encompasses a wide range of film genres, styles, and themes. By categorizing Nollywood into old and new, we risk oversimplifying the diversity of storytelling and artistic expression within the industry. It is essential to recognize the richness and complexity of Nollywood’s creative output.
- Collaborative Efforts: Many actors, filmmakers, and industry professionals have worked across different periods of Nollywood’s history. They have contributed to its growth and success over time. Categorizing Nollywood into old and new overlooks the collaborative nature of the industry, where talents from different generations often collaborate on projects.
- Learning from the Past: While it is important to embrace progress and innovation, it is equally valuable to learn from the past. Categorizing Nollywood into old and new may lead to a disregard for the achievements, experiences, and lessons of earlier generations. Recognizing the contributions of older filmmakers and building upon their successes can help create a stronger and more vibrant industry.
- Unity and Collaboration: By emphasizing a divide between old and new Nollywood, it may inadvertently create rivalries and divisions within the industry. To foster a strong and unified Nigerian film industry, it is essential to promote collaboration, knowledge sharing, and mutual respect among filmmakers and professionals, regardless of the era they belong to.
In conclusion, rather than focusing on categorizing Nollywood into old and new, it is more beneficial to celebrate the industry’s growth, diversity, and artistic achievements as a whole. Embracing continuity, learning from the past, and fostering collaboration can help create a thriving Nigerian film industry.
